garycruz

Setting up the new Blackmagic Design ATEM Television Studio HD in a 4u Flight Case.

Designed for broadcasters and A/V professionals, Blackmagic Design’s ATEM Television Studio HD is a compact yet powerful and easy-to-operate solution. Four of each HDMI and SDI inputs are available on the rear of the chassis, and both sets of inputs support SD and HD resolution signals. The relatively small chassis can fit on a standard equipment rack with the separately available Teranex Mini Rack Shelf, so it can be brought on location for streaming video, or installed semi-permanently for recording or broadcasting from a studio.

BlackMagic ATEM Studio HD buy list: http://amzn.to/2r2k5fG

Patch Panel: https://www.redco.com/Redco-Custom-Panel-Designer.html?panel_id=U8MRBX

Don’t want to sound treat your room or hate hiss on your voice overs? Here’s the answer! Put your headphones on! No effects from Garage Band. Here’s a complete setup of the DBX 286s Microphone Pre-Amp I use for video voice overs.

See the links below for all the components in this video:

See my new video comparing this against the Aphex Channel: https://youtu.be/Y9iEN6MiiZs

DBX 286s http://amzn.to/2roHRSe

Microphone to DBX XLR Cable http://amzn.to/2r3lBh0

DBX 286s to Audio Interface (TRS to XLR Cable) http://amzn.to/2r3pJ0q

Clarett 2Pre Thunderbolt Audio Interface: http://amzn.to/2qCbyhs

Alternative Audio Interface: http://amzn.to/2rCFTL8

Clarett 2Pre to Computer Thunderbolt Cable: http://amzn.to/2r3EWPj

Cloudlifter: http://amzn.to/2rgGW5R

APC Battery: http://amzn.to/2tQMaaz

Full text: http://www.garycruz.com/remove-room-noise-and-hiss-in-your-voice-overs-with-a-dbx-286s/

I go over two examples on how to add 3D extruded text and plain text to your drone footage. I used a DJI Mavic Pro. I also share my workflow at a high level including grading with Magic Bullet Colorista IV in Final Cut Pro.

Skip to 3:00 to see how to track in After Effects with Ray Tracing.

Skip to 14:00 for grading in Final Cut Pro

Skip to 19:00 to see how to track in AE with Classic 3D Plain text Buy the Mavic Pro here:  or here: http://amzn.to/2nfTfOS

In visual effects, match moving is a technique that allows the insertion of computer graphics into live-action footage with correct position, scale, orientation, and motion relative to the photographed objects in the shot. The term is used loosely to describe several different methods of extracting camera motion information from a motion picture. Sometimes referred to as motion tracking or camera solving, match moving is related to rotoscoping and photogrammetry. Match moving is sometimes confused with motion capture, which records the motion of objects, often human actors, rather than the camera. Typically, motion capture requires special cameras and sensors and a controlled environment (although recent developments such as the Kinect camera and Apple’s Face ID have begun to change this). Match moving is also distinct from motion control photography, which uses mechanical hardware to execute multiple identical camera moves. Match moving, by contrast, is typically a software-based technology, applied after the fact to normal footage recorded in uncontrolled environments with an ordinary camera.