Tutorial

How to connect a GoPro Hero 7 to the ATEM Studio HD along with an alternative small form factor camera with SDI that connects directly to the ATEM Studio HD.

At a Minimum, you need a Decimator MD-LX

• GoPro Hero 7 Black
• Micro HDMI Cable to HDMI
• Crazyfire SDI Camera
• Sony PXW-Z90
• ATEM Studio HD Setup
• Microphone

GoPro HERO7 Black

Freakishly smooth footage. Smart-capture superpowers. Battle-tested and waterproof without a housing. This is HERO7 Black, the most advanced GoPro ever. With HyperSmooth stabilization, you’ll get gimbal like video— without the gimbal. A new intelligent photo mode delivers the best, most brilliant images automatically. And now with live streaming and the GoPro app, you can share every amazing moment as you live it. HERO7 Black takes GoPro performance—and your photos and videos—to a whole new level.

(1) Stream video directly to Facebook Live. Live stream to other platforms using an RTMP URL. Facebook app and account required.

ATEM Television Studio HD is the first production switcher designed for both broadcasters and AV professionals. It includes 4 SDI and 4 HDMI inputs with re-sync on all inputs so you can use it with broadcast or consumer cameras. ATEM Television Studio HD is packed with high end features and is perfect for live production, episodic television programming, web shows, AV or even live coverage of gaming competitions! Simply plug in cameras, game consoles or computers and start switching live!

If you are connecting audio directly into the XLR input of the ATEM Studio HD, chances are there may be some audio sync issues with your video. You can fix this with the Stereo Delay FX built into the Behringer X AIR XR12. See the links below:

• Behringer X AIR XR12
• ATEM Television Studio HD
• Sync Test

Point your camera at that while recording the audio directly into the ATEM studio. Then open the recording in your favorite video editor, count the offset in frames. Then use the calculation in the video to convert frames to milliseconds that you can dial into the mixer.

The BEHRINGER X32 completely changed the game by rethinking what is possible from a digital mixer – and over 100,000 users are enjoying the results. Now, that same incredible technology has been incorporated into a small, but incredibly powerful, rack-mountable mixer that will forever change both the way you record – and the way you play live music.

The revolutionary XR12 is a powerhouse 12 input portable/rack-mountable mixer for iPad and Android tablets, and is ideally suited for both live and studio applications, thanks to its 4 award-winning MIDAS-designed mic preamps, convenient integrated Wifi module for wireless control, plus USB connectivity for file storage, system updates and uncompressed stereo recordings via the USB Stereo Recorder. We’ve also included the rack ears and protective bumpers for added flexibility in your studio and stage applications.

The freedom to move around and manipulate all parameters of your mix with the free iOS and PC apps lets you dial in the perfect sound from anywhere in the venue – or the tracking room! Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price – changing the game once again.

In this video, I cover how to stream 3 sources of video to YouTube in 1080p while projecting live video to two TVs in other rooms on location at Kohl Mansion in Burlingame, California. I originally used the presentation as a checklist for me to test before I setup on location. If this helped you, please share and subscribe!

The full live stream as seen in this video: https://youtu.be/sXZMZ0NUmNs

2 Video Cameras and Laptop:

• Sony PXW-Z90V for the main camera
• PTZ Camera – Macbook Pro
• Using the XR12 Mixer for Audio Delay
• 50 Ft SDI Cable
• Decimator SDI to HDMI
• BlackMagic ATEM Studio HD build list
• JTECH HDMI Transmitter
• Epiphan Webcaster X2

Benefits:

• Overflow areas were still engaged with the presenters via video
• Multiple cameras increased production value
• Titles reinforced the speakers’ name and role
• Streamed content immediately available

Setting up the new Blackmagic Design ATEM Television Studio HD in a 4u Flight Case.

Designed for broadcasters and A/V professionals, Blackmagic Design’s ATEM Television Studio HD is a compact yet powerful and easy-to-operate solution. Four of each HDMI and SDI inputs are available on the rear of the chassis, and both sets of inputs support SD and HD resolution signals. The relatively small chassis can fit on a standard equipment rack with the separately available Teranex Mini Rack Shelf, so it can be brought on location for streaming video, or installed semi-permanently for recording or broadcasting from a studio.

BlackMagic ATEM Studio HD buy list: http://amzn.to/2r2k5fG

Patch Panel: https://www.redco.com/Redco-Custom-Panel-Designer.html?panel_id=U8MRBX

Don’t want to sound treat your room or hate hiss on your voice overs? Here’s the answer! Put your headphones on! No effects from Garage Band. Here’s a complete setup of the DBX 286s Microphone Pre-Amp I use for video voice overs.

See the links below for all the components in this video:

See my new video comparing this against the Aphex Channel: https://youtu.be/Y9iEN6MiiZs

DBX 286s http://amzn.to/2roHRSe

Microphone to DBX XLR Cable http://amzn.to/2r3lBh0

DBX 286s to Audio Interface (TRS to XLR Cable) http://amzn.to/2r3pJ0q

Clarett 2Pre Thunderbolt Audio Interface: http://amzn.to/2qCbyhs

Alternative Audio Interface: http://amzn.to/2rCFTL8

Clarett 2Pre to Computer Thunderbolt Cable: http://amzn.to/2r3EWPj

Cloudlifter: http://amzn.to/2rgGW5R

APC Battery: http://amzn.to/2tQMaaz

Full text: http://www.garycruz.com/remove-room-noise-and-hiss-in-your-voice-overs-with-a-dbx-286s/

I go over two examples on how to add 3D extruded text and plain text to your drone footage. I used a DJI Mavic Pro. I also share my workflow at a high level including grading with Magic Bullet Colorista IV in Final Cut Pro.

Skip to 3:00 to see how to track in After Effects with Ray Tracing.

Skip to 14:00 for grading in Final Cut Pro

Skip to 19:00 to see how to track in AE with Classic 3D Plain text Buy the Mavic Pro here:  or here: http://amzn.to/2nfTfOS

In visual effects, match moving is a technique that allows the insertion of computer graphics into live-action footage with correct position, scale, orientation, and motion relative to the photographed objects in the shot. The term is used loosely to describe several different methods of extracting camera motion information from a motion picture. Sometimes referred to as motion tracking or camera solving, match moving is related to rotoscoping and photogrammetry. Match moving is sometimes confused with motion capture, which records the motion of objects, often human actors, rather than the camera. Typically, motion capture requires special cameras and sensors and a controlled environment (although recent developments such as the Kinect camera and Apple’s Face ID have begun to change this). Match moving is also distinct from motion control photography, which uses mechanical hardware to execute multiple identical camera moves. Match moving, by contrast, is typically a software-based technology, applied after the fact to normal footage recorded in uncontrolled environments with an ordinary camera.